By Michael Mark, creative director/ceo @NYCA
There’s no more intense drama anywhere than at the point of purchase, including most bowl games and bedrooms. And yet Point Of Sale work too often is a dull, sleepy afterthought.
Shakespeare’s got the pretty words but when customer meets products meets choice – that is magnificent theatre. When we do POS at NYCA, we like to think of what is at stake. It focuses our work on the specific task at hand: stop and sell. In fact our first piece of work we ever did at the agency for a global client that wanted a TV campaign was a piece of POS. That device made the product the number one seller in the world.
Look at the characters: there’s The Customer – searching for something satisfying, not often sure what, even after having searched online, after reading the blogs, listening to her friends, being bombarded with the ads, she still has to see it, smell and touch it for herself. She needs to experience it to believe it. POS can help answer her innermost questions. “Is it really what I have heard?” she wonders “Is it for me?” Doubt, confusion, hope.
Now all around The Customer you have The Store just pulsing with the hungry, encroaching competition. The attractive merchandise surrounding and beckoning the weakening Customer. She came in with one thing kind of in mind but now, hmm this looks good and that seems like it could be nice, too. Ah the heart thumping of opportunity!
And yet with all this tension, with the entire transaction on the line, we see Point of Sale materials that are flat and boring, worse, acting like they have no role in the outcome. They are just standing there like limp spectators who have no understanding of the customer in her vulnerable state and seemingly no desire to win her over. And, worse, some that just mumble irrelevant nonsense to themselves when the customer is right before them.
Too often POS is just a take-down of the brand work that ran in other mediums when the customer was in the gathering state. Good POS knows and talks to the customer in her “buying mindset.” She is in front of you – you are already in the circle of acceptability with others. Now you need to make her your own.
Bad POS talks to the customer as if she is still at home. It’s just like we speak differently to people who are across the street than we do when they are in arms reach, we need to adjust what we say and how we talk to customers at retail. When we are up close, we’d better recognize her exact needs at that moment or she is gone with the other goods (rising music for emphasis) and we are tragically abandoned. (SFX: lonely wind blows)
At those moments you need to know your customer well because generalities won’t get it done. Her “buying mindset” needs rational information over the emotional because POS doesn’t work alone – the item she is considering is the emotional element. You have to double team her. And you better get your part right with the persuasive details, said fast. STOP and SELL. Do the research to understand her ‘buying mindset’ and turn her from a shopper into a cash paying customer. POS stand up for your product and yourself and sell her why you are the best choice. That will get her 40 feet down the aisle to the cash register. That will make the story worthwhile.
That’s how you should be thinking when creating POS: like everything is on the line.
And then Ka-ching. The sale is closed. A happy ending. Curtain falls.
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ing new – spending time together outside of the garage. It had an amazing affect. We got to know each other outside of the instruments we played and when we sat down to prepare for the next show we did it with more patience and passion. We even came up with ideas for some of our best music when we weren’t plugged in.
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Yes of course it’s my generation’s fault. Being helicopter parents, (my wife and I refer to our home as the heliport) we videoed our kids’ every drool string like they were pearls. It made them feel entitled. And then we overscheduled them: the play date at 9, the tutor at 10, followed by soccer game at 11, lunch brought to them at 1, etc. and, guess what – they like it that way and don’t intend to have that behavior stop. With all those passions they have developed, they must now see work as one of them. So just as they facebook at 10 a.m. in the office – they should be writing ideas at 10 p.m. wherever they are. They should be.
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They’re all going one way and then all of a sudden, on cue, they all go a different way.
The art of transition is facing those crevices of having no idea how to move forward – not for lack of smarts, talent, or inventiveness – but because it’s never been done. Those who have an incessant need-to-know embrace becoming a beginner again, not being perfect and not having the answers. The great thing we found is that prior experience – those faithful systems and experiences our folks had in their general market advertising careers - are critically important for solving problems in new media. It’s challenging to learn how to engage consumers in an ever-changing digital media landscape. But you have to start not with mechanical knowledge, but with great consumer engagement skills - period. The right mechanics are nothing without a create idea as a spinal cord.
That’s what we have at NYCA and it’s so funny – we seek growth. We long for new challenges and to explore the horizon we know is out there for us.
The iPhone has apps that people want, like a counter that tells them how many calories they are ingesting. If you’re a dieter, that’s so relevant. That’s why it’s selling so well. Wal-Mart is cheaper and has lots of stuff in one place so you can check off your list all in one stop without wasting gas or time. That is so relevant. That’s why people are shopping there now who weren’t before when luxury cool was “in.” But what’s “in” now is relevance. Take relevance for a spin. Be brave. Drop the attitude, walk over and just ask. Selling is the new cool.